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22 / Lifestyle






                                                     A Cinema in Every





                                                     Neighbourhood







                                                     Watching movies is no longer confined

               screening of the World Cup Qual-      to cinemas. Public screenings have now
               ification match between China         penetrated the city and drawn community
        Aand Hong Kong in 2015 in a pub-
        lic space near her home when everyone        members together.
        was cheering for the Hong Kong team
        opened the door to public screenings for     By Wayne Chang
        Angela Chu Pui-yee. She is enchanted
        by the casual atmosphere with people
        around her wearing slippers and sitting
        on the floor.
           “I have fallen in love with public
        screenings since then. It connects the
        neighbours and bring us together,” Chu
        says. She is now a frequent participant of
        different screening sessions in the com-
        munity as this new form of theatre gets
        more popular and diverse.


        From then to now
           In October 2019, Chu joined a public
        screening in Sham Shui Po of a Korean
        movie “A Taxi Driver (逆權司機)”, which
        is about the social movement in Gwangju
        in the 1980s. The screening was held by
        HK Community Cinema, an independ-
        ent organization that aims to promote
        non-mainstream  and  socially  impactful
        movies by holding public screenings al-                                 other audience, Chu also likes the cas-
        most every week. Guests of different expertise, including scholars, movie direc-
        tors, journalists are often invited to hold a sharing and discussion session after   ual nature of non-commercial public
                       each screening.                                          screenings. “We don’t have to watch
                                                                                advertisements before a movie that
                            Chu particularly enjoys the sharing and discussion ses-
                          sions and she thinks they make public screenings different   people are forced to do in cinemas,”
                                                                                she says.
                          from conventional screenings in cinemas, where everyone
                          must leave as soon as the movie ends.
                             “I can gain a spark of inspiration every time I listen to   A social driving force
                         them (the guests). It really expands my knowledge and hori-  Cheung King-fai, one of the main
                           zons,” adds Chu. Apart from interactions with guests and   organisers of HK Community Cinema,
        Angela Chu Pui-yee                                                      hopes that public screenings can serve
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