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Money for Assignments

Some Chinese students overseas turn to ghostwriting services to meet their families’ high expectations.

By Eve Qiao and Lily Wang

Jason Chen* is a freshman at New York University, which ranks among the top 30 universities around the globe. But he used to hire ghostwriters to do his homework back in high school. 

“Hiring ghostwriters was popular among my high school fellows,” Chen says. The act refers to students paying someone to do their homework. 

Chen came across a ghostwriting service agency on WeChat in December 2021, who later referred a ghostwriter to him. 

The then Grade 9 student paid the ghostwriter, who was a Hong Kong University student, RMB ¥2,000-3,000 (US $280-420) per assignment to write three book reviews for him, in 2019. 

“The HKU student promised me that the assignments would be finished with high quality and complete confidentiality. Most of the works got As,” he says.

Advertisement from a ghostwriting agency in WeChat groups. Their service ranges from finance and economics to medical health and architecture.

Not a “Good Student” Anymore

Chen recalls he was “a good student” in both his parents’ eyes – being admitted to his hometown’s best junior high school, where he was a star student, until his parents sent him to study in the US when he was 14. 

“My mother always has high expectations on me, hoping that I can be a top student in class,” he says.

“But when I failed a book review assignment in the first semester of high school in the US, my mom got mad at me. She cut my monthly pocket money,” he says. To sustain his way of life, he had to occasionally ask his friends to pay for his meals. 

That’s when hiring a ghostwriter came to his mind.

Student searching for information on writing tasks

When Chen turned to a ghostwriter, his assignments were mainly book reviews of Shakespeare’s works. 

He found Old English in classical literature, with different grammar and vocabulary, difficult to read and understand. 

“They are so boring that I couldn’t finish reading them without falling asleep. I don’t like doing book reviews. I know hiring ghostwriters is bad and I miss the chance to learn,” the now 19-year-old student says. 

But he still went ahead. “I did not want my mother to cut my pocket money again. I didn’t want to live like that anymore,” Chen recalls.

Pressure from Parents

Charlie Mi* used to operate a ghostwriting agency between 2017 and 2021.  The agency refers students to individual ghostwriting service providers, acting like match-makers just like the one Chen came across on Wechat. 

Mi approached students through WeChat to promote their services.

“I reached out to around 2,000 university students from all over the world. One-third of them eventually purchased the ghostwriting service,” Mi says.

He recalls the pricing for such service ranged from RMB ¥300 (US $41.7) to RMB ¥5,000 (US $695.3), depending on the number of words.

Mi quit the industry in October 2021 in fear of legal risks after providing such service was outlawed in the United Kingdom, as most of his clients studied at British universities. 

The October notice from the UK’s Department for Education says that “essays for money” are “unethical” as it profits by “undermining the hard work” other students do. 

 Mi says some of his clients were just too lazy for homework, while others were overwhelmed by pressure from their families.     

“I once met a student who has already done well, getting a B+ in most subjects. But his parents thought he should get As, putting him under so much pressure that he finally turned to us for help,” Mi sighs.

Professor Dai Kun of the Faculty of Education at the Chinese University of Hong Kong agrees that parents play a role in the issue. 

“Students hire ghostwriters only to meet their parents’ expectations. Parents don’t really care about what they learn, or how knowledge would make a difference in their children’s future,” he explains.

He points out that Chinese parents are always making decisions and drafting life plans for their children, regardless of the children’s own will.

Dai also thinks it is difficult for schools to identify students who have hired ghostwriters to do their homework.   

“No one else but the students themselves know that they have hired a ghostwriter. And as relative regulations do not exist in many countries, catching ghostwriting behaviors remains tricky,” he says.

*Names changed at interviewees’ request

Edited by Ryan Li
Sub-edited by Leung Pak Hei

Pandemic-Depressed Students

More Hong Kong secondary school students suffer from symptoms of depression and anxiety in recent years due to the pandemic.

By Yap Ying Ye

Secondary school student Hari Kishan* started suffering from brain fog, inability to keep track of commitments and tiredness in 2020.She was medically diagnosed with depression in November 2021. 

“I couldn’t keep track of my deadlines. I missed a lot of classes. I was always late for hangouts or did not even show up and stopped responding to texts. At some point, my parents were really worried I was going to fail my classes,” the 17-year-old student says.  

Kishan says that the pandemic and online classes had worsened his depression and made it hard to complete everyday tasks. 

“I did not interact with anyone during online classes. I started talking to myself negatively as there was no one to talk to. My brain shut down when I had online classes. I did not do my work, as no teachers would check on me,” Kishan says.

Hari Kishan found it difficult to keep up with school work during Zoom lessons because of his depression

Kishan now takes medication for his depression on a regular basis. 

Though Kishan is happy about meeting friends in physical class now, he still suffers from depression. 

“My brain still goes into shutdown mode. When that happens, I don’t want to do anything which includes going to school, meeting up with friends, doing my homework,” he says. 

Kishan is not alone. A survey conducted by the Baptist Oi Kwan Social Service regarding students’ mental health and well-being in 2022 revealed that 48 per cent of respondents had symptoms of depression and 51 per cent suffered from symptoms of anxiety. 

The non-governmental organization (NGO) interviewed 1,192 secondary school students between October 2021 and June 2022. 

The COVID-19 pandemic was found to be the top source of discontent in life for students who responded to the survey. About 40 per cent blamed the pandemic for their poor mental state. Parental relationship was another main factor affecting their mental health.

Like Kishan, secondary school student Alice Wong was also diagnosed with depression in April 2021. 

Wong started exhibiting symptoms of depression such as excessive tiredness and sleeping, lack of motivation for anything, sadness and hopelessness in February 2021. 

“I was sleeping six to seven hours during daytime on top of sleeping at night, and it was hard to get out of bed to attend my online classes. I felt like I had no passion for anything that I was doing, including school and my hobbies,” she says.

Wong thinks the pandemic was a major factor in her depression. 

“I could not meet my friends, and online classes made learning a lot more difficult because of the lack of interaction with my teachers. My grades suffered and that made my depression worse,” Wong says. 

The Form 6 student also shares her depression has affected her family relationship. 

“My parents thought I was just being lazy and could not understand why I struggled to do simple everyday tasks. They thought it was my fault and we regularly argued about that. It is already difficult to function with depression, it is even harder without support from my parents. This was a huge blow to me,” Wong says. 

Many secondary students said the COVID-19 pandemic was the top source of discontent in their life, an NGO survey from October 2021 to June 2022 says

Anna Lam Kit Sum, a psychiatrist who specialises in adolescent emotional and behavioral disorders, points out that the pandemic and online classes have a great impact on students’ mental health. 

“Students are facing school restrictions such as online classes, which means little or no social interaction. If students are struggling with their studies, online school cannot help much because of the lack of direct interaction with teachers,” Lam says. 

“It has not been officially investigated, but if we compare previous and current cohorts of young people, the current cohort (who has gone through the pandemic) seems to report more depressive symptoms,” she adds. 

Lam says familial relationships are also prone to worsen during the pandemic, which would add more stress to students’ mental health.

“Spending more time at home naturally leads to more conflict and arguments with parents. The family dynamic can change negatively, and students will be even more stressed,” she explains. 

To better support and recognise signs of depression, Lam advises parents to look out for changes in their children’s behavior. 

“Be more sensitive to changes in behavior and listen to your children. Look out for any drastic change in patterns and encourage them to seek professional help as soon as possible,” she says. 

*Name changed at interviewee’s request

Edited by Ryan Li
Sub-edited by Gabriella Lynn

Is AI Killing Art?

AI-powered drawing programs become double-edged swords to artists’ careers.

By Karmen Yip

Creating art is no longer a lengthy and tedious process that even professional artists and illustrators are mesmerized by stunning images generated by artificial intelligence.

“AI-powered programmes are additive tools for people who might not know how to deal with proportions but have the eye and the heart to produce art,” digital and computational artist Hassan Ragab says. 

Used traditional drawing methods for a long time, the Los Angeles-based designer has been using Midjourney, one of the AI-powered tools to create a wide range of artwork since July 2022. 

Any Midjourney user can create images on command. Simply typing a few words into a text box, the AI tool will return four newly created images within 60 seconds. Users can also request AI to improve, or “upscale”, the visual quality with new variations. 

Steps of how users can generate AI-powered artwork using Midjourney

The startup Midjourney AI describes itself as “an independent lab that expands the imaginative capabilities of humankind”. It operates on the chat platform Discord, which has 3.6 million users. 

Besides Midjourney, DALL-E, NightCafe, and Deep Dream Generator are other popular AI-powered programmes that allow users to generate AI art. 

Ragab, an interdisciplinary designer with an architectural background living in Southern California, points out that artists and even people who know little about drawing skills can boost their creativity extensively with Midjourney and other AI image generators.

“AI is a democratic and powerful tool. Everybody can use it and using the tool does not require any advanced computational skills,” he says. 

The Egyptian artist adds that these AI programmes are powerful for artists to explore and expand their imagination. 

“AI-powered tools sometimes match your prompts unpredictably and within that, you try to explore another angle which is very hard to see as an artist. Human artists like me will have to spend months brainstorming mind-blowing ideas,” he says.

“But with these tools, I can go around my design from different angles in a few hours. That pushes your idea in ways that could have never happened before,” he further explains. 

Praising AI tools are empowering imagination, Ragab noted some artists already fear their jobs will be replaced. 

“That being said, I think a lot of the artists who do not keep up with the technology might be signing their own career death letters. You should know about current technology trends and keep up with them,” he adds.

“But with these tools, I can go around my design from different angles in a few hours. That pushes your idea in ways that could have never happened before.”

AI Winning Against Artists?

While Ragab feels excited about using Midjourney to create the artworks he likes, some artists think otherwise.

Artists were enraged after game designer Jason M. Allen won first place at the 2022 Colorado State Fair annual art competition with “Théâtre D’opéra Spatial”, an artwork generated by the Midjourney AI programme. 

Sapphire Yuen Hiu-wan, who is now chasing her animation dream in Los Angeles, thinks it is unfair to other artists in the competition because someone with no art background and uses an AI programme to create artwork wins. 

“The AI programme absorbs a lot of original content from the internet and previous artworks, then it redesigns according to the user’s needs. So these images are not 100 per cent original,” she explains. 

“Nobody has ever used an AI-generated image to compete in that art competition. We do not even know if the game designer has credited the original artists that inspired the image,” says the freshman at Santa Monica College in the United States. 

AI algorithms are advancing so fast that the Hongkonger is worried about her future career but believes it does not affect her as a creator for now.

“AI technology is growing extensively in different industries and you really need to keep up with it. It is a new challenge every creative person is facing,” she says.

The aspiring animator says AI programme users are buying themselves a ticket to the competitive arts industry and more people will generate AI-powered artworks with these programmes.

“AI technology is growing extensively in different industries and you really need to keep up with it. It is a new challenge every creative person is facing.”

AI Is Not Flawless

Although AI-based tools can help people create amazing artwork with ease, Chau Chuck-jee, a lecturer in the Department of Computer Science and Engineering at the Chinese University of Hong Kong says they cannot completely replace humans.

He notes AI merely extracts different characteristics from original data and then combines them into new ways to give an impression of reminiscence to the users. 

“The computer simply tries to mimic and most likely does not have a mind of creativity, so this is a drawback if the user wants some creative value coming up from the algorithm,” he explains. 

The expert in computer algorithms states that another problem of AI-generated artwork is data bias, an error that occurs because of the use of unrepresentative training data.  

Lecture slides from Chau Chuck-jee explaining the process of machine learning and deep learning (Photo courtesy of Chau Chuck-jee)

“Most AI systems make decisions based on their training data that has been shown to them. If the data were not comprehensive enough for reasonable coverage, wrong decisions could be made by the AI. This is the problem of data bias,” he says. 

“For example, if an AI system was trained only using data from Van Gogh’s paintings, it may be able to judge well the quality of paintings of similar style and it might generate artworks in similar style too. But the system would not be expected to generate, for example, Picasso-style art, using the current training set,” he explains. 

Edited by Felicia Lam
Sub-edited by Ella Lang

Children Unwanted

Reporters: Kossy Chen, Fiona Dongye, Leopold Chen

More and more mainland Chinese are unwilling to have children due to economic pressure.

Mainland TV fans: Stop cutting “Friends”!

American sitcom Friends is censored in China for ideological unity.

Fiona Dongye

Loyal fan of American sitcom Friends Xiao Luxuan is disappointed when she finds that some scenes of the 1994 TV series have been removed, when she watches the show on Bilibili, a popular video website in China.  

“Taking the first episode of the first season as an example, the duration of the original version is 22 minutes and 50 seconds, while the version available on Chinese online video platforms is 21 minutes 17 seconds,” Xiao says. 

Though the TV series was globally launched in the 1990s, it was not available on Chinese mainstream video sites such as Tencent, Bilibili and Sohu until February 2022. 

“Lines with sexual content are not translated according to original scripts, and plots about homosexuality are also deleted. All lines about lesbians are deleted,” the university student says.

“Lines with sexual content are not translated according to original scripts, and plots about homosexuality are also deleted. All lines about lesbians are deleted.”

“This is a sitcom launched in the 1990s. (But) the authorities in China censor content for audiences in this country in 2022. Some of the plots become incoherent and less funny after the cuts,” she complains. 

Xiao first watched the American TV series when studying in high school in 2017. She got access to the TV show through cloud service at that time.

“A friend recommended it to me and shared the sitcom through Baidu’s network disk with me. The documents (such as video files) shared on this platform are rarely censored. I have watched it six or seven times in total,” the 21-year-old student says. 

Xiao says disappointed fans have started discussions about censorship of Friends on Weibo, a popular social media in China. The tag #Friends Deleted# was once a hot search on Weibo, but the tag was quickly removed. 

Mainland TV fans’ comments on the censorship of Friends.
(Photo courtesy of Xiao Luxuan)

Joe Sun worked as a video censor for Bilibili from 2018 to 2021. He finds that Bilibili’s censorship has become stricter in recent years.

“Bilibili used to be more liberal and did not censor videos much. But the platform started practising stricter censorship after China Central Television criticised Bilibili for allowing ‘inappropriate content’ on their platform in 2018. Many foreign TV shows such as Westworld and Skam have been removed,” he says.

“Censors will delete all content that criticises the Chinese Communist Party. There is no specific guidelines to follow. In many cases, censors have to make their own judgments. Most will just simply remove all contents which they fear it might cause trouble,” Sun says. 

“The authorities always keep their eyes on popular TV shows and films because they believe that these contents have the potential of affecting the public’s thoughts and values. Friends is very popular in China. If Bilibili does not cut some content which is considered sensitive in China, American dramas including Friends might be totally removed,” he adds. 

Bilibili was criticized by China Central Television.
(Photo courtesy of Joe Sun)

Fang Kecheng, assistant professor at the School of Journalism and Communication at the Chinese University of Hong Kong, says that censorship has widely existed in China for years.

“From a historical perspective, it can be said that censorship has existed since the time when the Party came to power. If mainland Chinese video sites want to import foreign films and television programmes, they need to buy the copyright and make sure that the imported versions can stand the censorship test,” Fang says. 

The assistant professor points out that the Chinese authorities want what the people watch to be in line with what they advocate. 

“In recent years, the mainland authority has increasingly stressed shaping and following a dominant value, rather than respecting diversity. The government has become more hostile to values from overseas. Even if the content does not directly criticise the party or the country, if it is judged to be inconsistent with the values advocated by the party, it will still be deleted,” he says. 

“Even if the content does not directly criticise the party or the country, if it is judged to be inconsistent with the values advocated by the party, it will still be deleted.”

Edited by Alina Chen
Sub-edited by Kajal Aidasani

Stuck Abroad

Reporter: Yap Ying Ye

Many Hong Kong students studying overseas are keen to come back to spend their summer holidays with their families. They face many struggles due to the anti-pandemic restrictions and regulations in Hong Kong. 

Migrant Workers Falling Victims to Scams

Reporters: Amelie Yeung, Iris Jiang

Many migrant domestic workers in Hong Kong have been scammed out of money. Police figures show about 600 migrant workers fell victims to frauds in 2021. One of the victims, Enah, shares her story.

Travellers in Pandemic

Reporters: Esme Lam, Karmen Yip, Christine Tang

Affected by the COVID-19, lots of Hong Kong people have not travelled abroad for two years. But the pandemic cannot stop some travel lovers from travelling and more preparations are done before starting the trips.

The Night Queen

Brad Wharakura kindles his love of doing drag in Hong Kong.

Tessa Yau

Brad Wharakura is a fitness instructor by day, a glamorous drag queen – Madame Mincemeat by night.

“Drag is just a creative outlet for me and it allows me to do things that I would not feel very comfortable with myself. I really like the feminine energy from drag queens and I can let go of masculinity and stereotypes to have fun when doing drag,” Wharakura says. 

“I can also use a lot of humour and make a fuss about serious things when I am doing drag. People’s perception of me in and outside drag is still the same,” he adds.

Wharakura usually performed at clubs in Lan Kwai Fong and various restaurants for drag brunches before the pandemic.

The drag queen moved to Hong Kong to take up a job in a fitness company in 2004. He learnt about drag culture after meeting his friend Greg Derham, who was also a drag performer in the city. 

Wharakura hosting cycling classes as Madame Mincemeat at Pure Fitness in Lan Kwai Fong.

“I came from a small town – Ngaruawahia in New Zealand and I had never met any man dressing up femininely in there. I just started off by learning the techniques from YouTube, from make-up, hairstyle to costumes,” he says.

Wharakura buys clothes from second-hand shops and fashion outlets like Zara and Topshop. Then he modifies the clothes with accessories all by himself.

His looks are inspired by 90s supermodels and classic campy queens. He describes his looks as “a combination of the feminine and absurd but ultimately uncomplicated”.

Wharakura had his first drag performance at the Clockenflap Festival in 2015. His audience sat under a small tent on a grassland in Central. “I did not have high expectations. It was quite intimate and I actually liked it,” he says.

He performed three songs and tore off his dress revealing a leotard underneath in a costume review. “I was just going all out,” he recalls. 

“The audience and I personally enjoyed my first performance a lot. And I was quite surprised that four people came up to me and asked when and where they could see me again. That was really encouraging,” he says.

Wharakura never feels nervous about his performance, as he is used to dealing with large crowds as a fitness instructor. 

“I do drag for myself. I am not worried about how people perceive my performances. I only wanted to have fun and freely express myself in a different way. But the audience’s support is definitely a motivation for me to keep going,” he says.

“I am not worried about how people perceive my performance. I only wanted to have fun and freely express myself in a different way.”

In 2017, Wharakura introduced drag brunches to Hong Kong restaurants with his working partner. Guests can enjoy lip-sync performances by drag queens and interact with them by playing games and dancing while having food and drinks.

Wharakura doing drag brunches in local restaurants.

“Being part of the original group to start the culture of drag brunches is a highlight of my life,” Wharakura says. 

The drag brunches started off very well until COVID-19 hit the world. Restaurants, bars and clubs where drag queens perform are all badly affected. 

“Surely the pandemic has affected my life as a drag queen. I have the luxury to have drag as my hobby only, as I still have my main job in a fitness company. Yet there are also a lot of drag performers who rely on it as a source of income and it has been a tough time for them,” he adds. 

Other than the impact of the pandemic, there were also moments that the 40-year-old man felt lost and unsure whether to continue in pursuing drag as a hobby. 

“Sometimes when I am not in the mood, I have tons of questions in my mind when I am doing the make-up for drag. Is this a good use of my time? Should I pursue drag full-time instead? Am I too old for this? There is a time I just felt myself being a glamorous clown with no one taking it seriously,” he says.

Despite everything, his “so what” mindset keeps him going. “As long as it is fun and interesting to do drag, I will continue to be a drag queen,” he says.

“I do not see myself worrying about getting people’s approval for this 40-year-old drag queen. I think drag has different colours and scales, and it is not something black or white. There are so many ways people can interpret and present drag and there is no right or wrong,” he says.

Wharakura returned to New Zealand in early 2022 to spend some time with his family. But he will come back to Hong Kong after the pandemic and continue to pursue drag in the city.

“There’s something special about Hong Kong and I will have a long-standing relationship with this place even in tough times,” he says.

“There’s something special about Hong Kong and I will have a long-standing relationship with this place even in tough times.”

Edited by Leung Pak-hei
Sub-edited by Angel Woo

Promoting Philosophy in Hong Kong

Philosophy students and lecturers from university are trying to creatively promote philosophy to Hongkongers.

Cheryl So

Philosophy can be entertaining and practiced in daily life, a philosophy group striving to promote the hugely misunderstood discipline to the general public vows.

Founded by 13 philosophy graduates and postgraduates from the Chinese University of Hong Kong (CUHK) in 2016, Corrupt the Youth has more than 100,000 subscribers on their YouTube channel with their videos garnering more than 10 million views.

The group name was inspired by a Greek philosopher, Socrates, who was sentenced to death for ‘corrupting the youth’ with his ideas.

One of the co-founders, Yeung Chun-yin, attributes their popularity to their light-hearted way of promoting philosophy via videos on YouTube every Friday. The group started livestreaming in April 2020.

Publishing their first live video named “9up”, which means talking bollocks, the group tries to befriend the audience and hopes more people will be willing to watch their videos about philosophy.  

Yeung Chun-yin attributed their popularity to their light-hearted way of promoting philosophy via their livestreaming videos every Friday.

“We did not have a plan in mind when we first started livestreaming, just chatting and relieving our stress. We keep viewers company by going livestreaming regularly and that is the most important part of our channel. We also scroll through comments and talk to them as friends,” Yeung, who is also a part-time lecturer in the Department of Philosophy at CUHK, says.

 “We do livestreaming even during Christmas Eve and New Year’s Eve because it is important to show our commitment to our members,” he says. 

“If we do not do it in an entertaining way, no one will be interested at all. Some even say the philosophy we teach has blood and tears. I will continue to speak out and exercise the freedom of expression we still have,” he adds.

“If we do not do it in an entertaining way, no one will be interested at all. I will continue to speak out and exercise the freedom of expression we still have.”

Breaking Stereotypes

Scenes of swearing and drinking are common in their live videos and are regarded as the most interesting parts by their fans. The most viewed clip is about one of the drunken hosts demonstrating a CUHK tradition, “dem beat” which is chanting slogans with clapping hands and stepping. The video has gained over 90,000 views.

“People who study philosophy are often stereotyped as nerds. Our behaviours often shock our audience. It shows that a person can have different layers. Doing these live videos can capture attention from other people,” the group’s co-founder, Alex Lai Ka-lok says.

Last year, the group started a series called “I Study Drama” with videos featuring philosophical concepts and presented them as drama. But some members in the group felt upset when reading viewers comments which were mostly about their acting rather than the philosophical concepts they wanted to present. 

“I know some group members were upset but I personally do not mind,” Lai says, adding that it is entirely up to the audience to interpret the videos. He feels happy that some audience have come up with perspectives that they have not thought of.

“Sometimes I worry whether we are too entertaining. But then I think not everyone really needs philosophy that much. Just knowing it is quite enough,” Lai says.   

From Entertainment to Education

Before livestreaming and posting videos on YouTube, the group first appeared in a new Radio Television Hong Kong (RTHK) TV programme called ‘Philosophy Night’ which was the first talk show featuring philosophical discussion in Hong Kong in 2016.

Dr Lau Po-hei, a part-time philosophy lecturer at the CUHK, was one of the curators and hosts of the RTHK programme. 

“The views of each ‘Philosophy Night’ episode were around 10,000 before they did live on YouTube. The views of the programme reached over 100,000 in 2020. It shows that audience who watched their live shows also watch our programme,” Lau says. 

“They do entertaining livestreaming and serious talk shows at the same time. This can cater to different audience. Viewers can always find videos they like and absorb knowledge,” he adds. 

Future of Promoting Philosophy

RTHK cancelled all talk shows, including Philosophy Night in 2021. Dr Lau still hopes to continue his work despite losing a platform to promote philosophy. 

“Not everything can go as planned in life. We are still taking experimental steps,” he says. 

RTHK cancelled all talk shows, including Philosophy Night in 2021.

The group is doing a series of talk shows which is like the continuation of ‘Philosophy Night’. The first episode was released on January 31, 2022 with 840,000 views. 

Lai thinks philosophy can help people think rationally in chaotic times. “We are dealing with a lot of absurd things done or said by people. But philosophy demonstrates how critical thinking works and can help people,” he says.

“We are dealing with a lot of absurd things done or said by people. But philosophy demonstrates how critical thinking works and can help people.”

Edited by Leung Pak-hei
Sub-edited by Winkie Ng